Search results for "Opening Credits"
showing 3 items of 3 documents
Don't skip intro. Sigle da non perdere
2019
In recent years, TV series have gained a central role among the classic TV genres. They have become more and more elaborate, strategically edited, catching both the critics and the audiences’ eyes. Many «surrounding» texts have contributed (and contribute) in making them popular and, among these texts, the opening credits play a special part. At the beginning of television history, opening sequences were brief and marginal texts aimed at informing the viewer about the cast and the contents he was going to watch. Nowadays they are refined products, designed to present, seduce, involve and facilitate the viewer’s entry into the story. In this paper, we will focus on these brief yet rich kind …
Soglie XXL. Sigle dei programmi televisivi sul dimagrimento
2020
TV show opening credits can be considered as frames which delimit the borders of a filmic text. They aim at advising and attracting the audience by highlighting specific aspects of the program. In doing that, opening credits as well as other forms of intros activate specific styles of relationship between the instances of production and reception of texts. They can be considered acts of enunciation through which the enunciator establishes its own discourse and gives instructions to the enunciatee about the text. In this paper we will analyze these so called “paratexts”, in particular by focusing on the intro sequences of some weight loss TV programs from the Italian television schedule. The…
Prese urbane. Studi di enunciazioni cittadine
2017
Distinguished and diverse theorists such as Benveniste, Barthes, De Certeau and Lotman have each approached the city in different ways. But while several key differences exist between them, their points of view intertwine around the concept of urban enunciation and intersect at differing points. In this study, the positions of these authors will be presented, compared and elaborated upon and the categories of linguistic enunciation of urban space will be set out, drawing from a vision of translation between languages that frequently leads, as is so often the case in Semiotics, to productive analytical models. The linguistic signs of the city will also be illustrated by examples of "short fo…